Biden’s trajectory is a Shakespearean tragedy. Clooney can play the president | Sidney Blumenthal

George Clooney can now play Joe Biden in the movie. After he urged the president to quit the race, the penultimate scene became greater than any Hollywood ending. The actor, while the King of Hollywood, has not yet won an Oscar for a leading role. This part, though, drawing on a range of classic genres, moving from pathos to tragedy to triumph, will challenge his dramatic skills as never before.

The curtain rises on Biden as Richard II, beleaguered and beset, facing his overthrow from within.

The Shakespearean inevitability seems overwhelming, tragedy heaped upon tragedy with a comic thread: the plotting against him from Julius Caesar, his rages against fate from King Lear, and reality suspended with a touch of A Midsummer's Night Dream. Then in a thunderclap the drama turns romantic through Byron's Ode to Napoleon Buonaparte.

In 2011, Clooney wrote the screenplay for a film called The Ides of March in which he played an idealistic Pennsylvania governor and Democratic presidential candidate reacting to cynical plots and subplots. The New York Times called it "less an allegory of the American political process than a busy, foggy, mildly entertaining antidote to it". Clooney did receive an Oscar nomination for his writer's credit but no more.

Now he can play in something other than a belabored story of the supposed price idealism pays to ambition. Now he can sink his teeth into a far more complicated starring role, following a far richer storyline.

The film begins with a bright young star of the post-JFK generation from a middle-class background with an unusual common touch yet stricken by unspeakable tragedy and trauma. His wife and daughter are killed in a car accident, and his two sons are critically injured. Though just elected to the Senate at the age of 29, one of the youngest ever, he devotes himself to his sons. He travels daily on the train from Washington to his home in Delaware to watch over them, while still establishing himself as a peer among his fellow senators despite his youthful age.

In the second arc, Biden launches a campaign for his party's presidential nomination but wrecks his chance by borrowing the identities of various political figures put into his mouth by overheated media consultants. His earnest ambition is undone by trivial mendacity, his promise upended by careless overreaching.